Stunt pilots memorize by dancing

Dance keeps appearing as a mnemonic technique in @LynneKelly’s (excellent) memory craft , which I’m currently reading.

It reminded me of a curiosity from the world of aerobatic pilots. Many of them memorise and rehearse their routines on the ground, using something called the “Aresti dance”.

It’s what the name suggests: a kind of jerky dance, where each movement represents a manouver that the plane will pull off in the air. You can see plenty of videos online, but I have not been able to track down a detailed description.

Aside from the general cuteness, I find this an interesting approach to developing embodied knowledge. It is expensive and dangerous to practice the real thing, so you learn a proxy instead. This straddles a line betwen ‘memory’ and ‘practice’. And it makes me wonder, what other skills you could learn better by memorizing a simpler stand-in.

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it’s reminiscent of dry land drills that I have seen synchro swimmers use to rehearse their routines when they are not able to practice in the water.

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Searching for embodied learning/knowledge is how I found mnemonics a few months back.

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I found a general description here.

The Aresti System is a notational system to codify aerobatic maneuvers. Various systems have been used since the 1920s with mixed results and clarity. Spanish aviator Colonel José Luis Aresti Aguirre began developing a notation system for aerobatic figures while instructing in the 1940s. In 1961 he published a manual of approximately 3,000 maneuvers as Sistema Aerocryptographica Aresti . At the urging of the Spanish Aero Club, the Fédération Aéronautique Internationale Aerobatic Commission elected to use the catalog starting at the World Aerobatic Championship held in Bilbao, Spain, in 1964. It has been in use and evolution ever since.

When visualizing a flight, most aerobatic pilots will practice by walking through their sequence on the ground. This twisting, pirouetting, and stepping through an imaginary airspace box, as they fly the maneuvers in their mind, is known as the Aresti Dance.

That led me to some more pages that describe the system:

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I’m a lawyer, and incidently, a private pilot as well. I got the audio version of her book (thanks to learning about her on Anthony Metevier’s podcast). For me, creating oralities around my daily life was a game changer for my ability to use loci effectively and it has made life so interesting and enriching.

I’ll give you an example. I live in San Diego but say I’ve made an appointment to meet with a client in San Jose. It’s 8am in San Diego and I need to leave my office to meet my client in San Jose at around 1pm. To most people, I’d just describe my plan as: “I’m going to leave my office, take the elevator down to the parking garage, get in my car, drive to the airport, pre-flight the plane, take off and fly over LA to San Jose for about a 2.8 hour flight, where I land and meet with my client. Along the way, I’ll communicate with air traffic control since it would be more convenient to fly on an instrument flight plan.”

But using a legendary story, my plan is more like this: “I step outside the safety of my den, only to be captured and thrown into a cage lowered into a dark cave, I escape the cage to find my horse, waiting patiently for me by the cave’s mouth, I ride my horse to the cliffs, where I find my dragon waiting for me in its cave. I wake it gently, feed it, take a moment to feel its scales and wings, rub its belly before I climb up to the saddle on its back. We wait for an all clear, and then we burst out, passing through the clouds. I note land marks where battles took place below us, pass over dangerous lands filled with horse warriors, over mountains that tend to jump up and reach for you–especially if you’re already too close, and over large stretches of flat lands of small villages and farmers. Each one familiar to me carries it’s own particular story. I communicate with various spirits along the way, each who guide me in my journey, warn me about other potentially dangerous dragons near me, and pass me along to other friendly spirits. My dragon finally touches down in the land of sharks and I meet with the local tribe.”

I use the landmarks as place holders for various things I need to remember particular to whatever case or law that I’m reviewing. So, as I fly over LA and look down at all of the horses (cars) moving or stuck in traffic, for this case in San Jose I might consider the horses have shark-like skin, which feels almost like sand paper, and perhaps shark teeth in the mouths. Why sharks? B/c my client resides in San Jose, home of the NHL’s San Jose Sharks hockey team. It also makes that story unique to that case, so associations for the unique laws and facts applicable to that case aren’t confused with other cases in the same area that for the most part would take me a long the same path, such as to San Carlos, just a few miles north of San Jose.

As for dance, I so something similar. More like a random and disjointed walk. I may do this exact same trip from San Diego to San Jose in the space of my office–kinda like how a bee does a short dance to demonstrate a location to other bees. To people who don’t know what I’m doing, it just looks like some kind of random/weird pacing. And, it can be done anywhere. It’s a lot of fun and very enriching.

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@Caolsen – thanks for sharing, that is fascinating.

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What a fantastic story, @Caolsen. Absolutely wonderful to read!

Lynne

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I would like to hop into this conversation with a little anecdote of my husband’s

A friend of ours is an actor. Nothing major yet, but for his entertainment education a few years back he had to do a scene that was out of his comfort zone. His area of expertise was romance and drama, and he is great at making the audience feel his emotion. Name any emotion or setting, and he will be 110% be in it.

Either way, his group decided to shoot an action movie, and he wanted to include a fight scene. My husband, being in the military and training for the special forces, was asked to be his opponent in that fight.

Our friend said that he was mainly worried about remembering what to do, because he had no martial arts experiences at all. However, he was a dancer from ever since he was able to walk. So my husband told him that they would turn it into a dance then. Eventually in as short as three days, they (plus the team member doing the story telling) came up with a fight scene that doubled as a dance.

The scene was about 2 minutes long, and they wanted it to be a single shot. So no cuts, no breaks, just start to finish in one go, and they did it. Eventually they did it three times, but all three times were perfect on our friend’s side of the job. (my husband made some mistakes, hence the additional two takes. He underestimated the difference between real combat and cinematic combat)

While it is not available to the public, the scene is now used by some of the teachers there to show action shots, single shot scenes, and using what whan can do to put something on screen that is out of their comfort zone. Not per se for quality, but because they got it done so “easily”

He occasionally helps teach close quarters combat classes, and he will always tell people to trust their bodies, because “Your body needs to know what has to be done before your mind understands what is happening”

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