What’s Everyone’s Favourite Poem(s)?

I watched Dead Poets Society the other day, which put me on a poetry grind. I’ve been memorising a few, which made me wonder - what’s everyone’s favourite poem(s)? My favourite’s “If I Can Stop One Heart From Breaking” by Emily Dickinson.

It’s a short poem about the importance of small, everyday good-deeds. And how even if you could only do one good act in your life, then it’d all be worth it:

If I can stop one heart from breaking,
I shall not live in vain;
If I can ease one life the aching,
Or cool one pain,
Or help one fainting robin
Unto his nest again,
I shall not live in vain

What’s everyone’s favourite poem/poems? No need to copy-paste the poem if you don’t have time, even just the name is fine :slight_smile:

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Love’s Philosophy by Percy Bysshe Shelley is my absolute favorite!

The fountains mingle with the river
And the rivers with the ocean,
The winds of heaven mix for ever
With a sweet emotion;
Nothing in the world is single;
All things by a law divine
In one spirit meet and mingle.
Why not I with thine?—

See the mountains kiss high heaven
And the waves clasp one another;
No sister-flower would be forgiven
If it disdained its brother;
And the sunlight clasps the earth
And the moonbeams kiss the sea:
What is all this sweet work worth
If thou kiss not me?

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I love this one from Rilke:

God speaks to each of us as he makes us,
then walks with us silently out of the night.

These are the words we dimly hear:

You, sent out beyond your recall,
go to the limits of your longing.
Embody me.

Flare up like a flame
and make big shadows I can move in.

Let everything happen to you: beauty and terror.
Just keep going. No feeling is final.
Don’t let yourself lose me.

Nearby is the country they call life.
You will know it by its seriousness.

Give me your hand.

Book of Hours, I 59

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I always recite/sing Horace’s tenth poem from book 2 of his carmina to myself. Sapphic stanzas are just so lovely. It begins “Rectius vives, Licini, neque altum.” The second verse is the one I quote the most:

Auream quisquis mediocritatem

diligit, tutus caret obsoleti

sordibus tecti, caret invidenda

sobrius aula.

Who loves the golden mean

Safely lacks the grime of an worn-out house

and, more soberly, an enviable palace.

There’s a choir that sings the original Latin quite nicely:

Also, Horace, Carmina, 1.11 (famous for the last line, which is often misunderstood - sorry - because of “Dead Poets Society”) when trying to remind myself not to focus to heavily on the future.

Parts of the Aeneid, too, particularly Aeneas’ speech to his comrades (book 1, lines 198-209) (starting with “O socii neque enim ignari sumus ante malorum” - “o comrades, we are not unknowing of the bad things which occured before”).

Catullus’ poem about Attis (poem 63) is very frightening, almost like a horror short story, yet so beautiful and sad. It’s about a young man who is driven mad by a Goddess, and does something terrible, then wakes up from his madness and laments. The meter and the words come together so unsettlingly. It’s the only surviving complete Ancient poem written in Galliambics, which have to be the most difficult verses imaginable to write.

Pascoli’s Latin work is really brilliant also. I’m partial to Pontanus as well, particular his lullabies to his son.

I’m sorry, I could go on forever; reading poetry is all I do in my spare time.

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People, from birth to growth, receive immeasurable grace that cannot be expressed in words. The reason I have upheld righteousness and maintained my version of goodness is because it is the duty and responsibility of everyone who has received grace throughout their life. No, it is not a duty but a privilege.

To act with righteousness, dreaming the impossible dream.

To act with righteousness, overcoming endless trials,

To endure unbearable pain for the sake of righteousness,

To die for the noble ideal that righteousness defines.

Gazing upon righteousness, knowing how to mend our wrongs.

To love each other with purity and goodwill. To have pride in impossible dreams

Not a poem but some good lines

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My favorite is “The Highwayman” by Alfred Noyes. Here it is:

PART ONE

The wind was a torrent of darkness among the gusty trees.

The moon was a ghostly galleon tossed upon cloudy seas.

The road was a ribbon of moonlight over the purple moor,

And the highwayman came riding—

     Riding---riding---

The highwayman came riding, up to the old inn-door.

He’d a French cocked-hat on his forehead, a bunch of lace at his chin,

A coat of the claret velvet, and breeches of brown doe-skin.

They fitted with never a wrinkle. His boots were up to the thigh.

And he rode with a jewelled twinkle,

     His pistol butts a-twinkle,

His rapier hilt a-twinkle, under the jewelled sky.

Over the cobbles he clattered and clashed in the dark inn-yard.

He tapped with his whip on the shutters, but all was locked and barred.

He whistled a tune to the window, and who should be waiting there

But the landlord’s black-eyed daughter,

     Bess, the landlord's daughter,

Plaiting a dark red love-knot into her long black hair.

And dark in the dark old inn-yard a stable-wicket creaked

Where Tim the ostler listened. His face was white and peaked.

His eyes were hollows of madness, his hair like mouldy hay,

But he loved the landlord’s daughter,

     The landlord's red-lipped daughter.

Dumb as a dog he listened, and he heard the robber say—

"One kiss, my bonny sweetheart, I’m after a prize to-night,

But I shall be back with the yellow gold before the morning light;

Yet, if they press me sharply, and harry me through the day,

Then look for me by moonlight,

     Watch for me by moonlight,

I’ll come to thee by moonlight, though hell should bar the way."

He rose upright in the stirrups. He scarce could reach her hand,

But she loosened her hair in the casement. His face burnt like a brand

As the black cascade of perfume came tumbling over his breast;

And he kissed its waves in the moonlight,

     (O, sweet black waves in the moonlight!)

Then he tugged at his rein in the moonlight, and galloped away to the west.

PART TWO

He did not come in the dawning. He did not come at noon;

And out of the tawny sunset, before the rise of the moon,

When the road was a gypsy’s ribbon, looping the purple moor,

A red-coat troop came marching—

     Marching---marching---

King George’s men came marching, up to the old inn-door.

They said no word to the landlord. They drank his ale instead.

But they gagged his daughter, and bound her, to the foot of her narrow bed.

Two of them knelt at her casement, with muskets at their side!

There was death at every window;

     And hell at one dark window;

For Bess could see, through her casement, the road that he would ride.

They had tied her up to attention, with many a sniggering jest.

They had bound a musket beside her, with the muzzle beneath her breast!

“Now, keep good watch!” and they kissed her. She heard the doomed man say—

Look for me by moonlight;

     *Watch for me by moonlight;*

I’ll come to thee by moonlight, though hell should bar the way!

She twisted her hands behind her; but all the knots held good!

She writhed her hands till her fingers were wet with sweat or blood!

They stretched and strained in the darkness, and the hours crawled by like years

Till, now, on the stroke of midnight,

     Cold, on the stroke of midnight,

The tip of one finger touched it! The trigger at least was hers!

The tip of one finger touched it. She strove no more for the rest.

Up, she stood up to attention, with the muzzle beneath her breast.

She would not risk their hearing; she would not strive again;

For the road lay bare in the moonlight;

     Blank and bare in the moonlight;

And the blood of her veins, in the moonlight, throbbed to her love’s refrain.

Tlot-tlot; tlot-tlot! Had they heard it? The horsehoofs ringing clear;

Tlot-tlot; tlot-tlot, in the distance? Were they deaf that they did not hear?

Down the ribbon of moonlight, over the brow of the hill,

The highwayman came riding—

     Riding---riding---

The red coats looked to their priming! She stood up, straight and still.

Tlot-tlot, in the frosty silence! Tlot-tlot, in the echoing night!

Nearer he came and nearer. Her face was like a light.

Her eyes grew wide for a moment; she drew one last deep breath,

Then her finger moved in the moonlight,

     Her musket shattered the moonlight,

Shattered her breast in the moonlight and warned him—with her death.

He turned. He spurred to the west; he did not know who stood

Bowed, with her head o’er the musket, drenched with her own blood!

Not till the dawn he heard it, and his face grew grey to hear

How Bess, the landlord’s daughter,

     The landlord's black-eyed daughter,

Had watched for her love in the moonlight, and died in the darkness there.

Back, he spurred like a madman, shrieking a curse to the sky,

With the white road smoking behind him and his rapier brandished high.

Blood red were his spurs in the golden noon; wine-red was his velvet coat;

When they shot him down on the highway,

     Down like a dog on the highway,

And he lay in his blood on the highway, with a bunch of lace at his throat.

. . .

And still of a winter’s night, they say, when the wind is in the trees,

When the moon is a ghostly galleon tossed upon cloudy seas,

When the road is a ribbon of moonlight over the purple moor,

A highwayman comes riding—

     *Riding---riding---*

A highwayman comes riding, up to the old inn-door.

Over the cobbles he clatters and clangs in the dark inn-yard.

He taps with his whip on the shutters, but all is locked and barred.

He whistles a tune to the window, and who should be waiting there

But the landlord’s black-eyed daughter,

     *Bess, the landlord's daughter,*

Plaiting a dark red love-knot into her long black hair.

It’s tough, but I think that my favourite is Le voyage by Baudelaire :slight_smile:

Pour l’enfant, amoureux de cartes et d’estampes,

L’univers est égal à son vaste appétit.

Ah ! que le monde est grand à la clarté des lampes !

Aux yeux du souvenir que le monde est petit !

Un matin nous partons, le cerveau plein de flamme,

Le coeur gros de rancune et de désirs amers,

Et nous allons, suivant le rythme de la lame,

Berçant notre infini sur le fini des mers :