i would take your comment with a grain of salt still…
mnemnonics do not have “one” spesific way of dealing with the art of rememembering/recalling information…
i think a loose perspective on the art of memory is of valor even for what chess is considered…
this statement of yours have a purpose, but still i think the purpose defeats itself in some ways…
the form of chess is not that of linear recital(mnemnonics of remembering sequence of information)…(and people do very often rely upon linear recital, something that can remove you from the fun of the game/the immersion of what is going on down on the board)
the best memory i have had of chess was when i had the as few expectancies of the game as possible, then unfortunately i learned of the complexities, thereafter i went into a state of trying to bruteforce my way into the game(i did not try for very long as a child)… all the little fearies was soon eaten and all that was left was just
a broken lure…
as i said, i think chess is not about linear thinking,
but rather a state of making and breaking policies, implying ways of play upon the ones you play with.(this is the sensation i had as a child, in some sense, that i very rapidly lost to the spoils of complexity)(i am a lout as far as chess skill is concerned, but i do from time to time try to rediscover that first sight that i had of the game)
as for the magic show that i displayed in the link… i do not think the artist memorized the boards to a very far degree either, what i do know is that all the games that the performer made except for one, was based upon setting other peoples trains of play up against each other…
i just liked the concept of making oneself a conduit upon which to see how other people play against eachother…
a real neat way of studying the nature of the game itself somewhat from a more relaxed view…
i think that he just went in a sequence of black side, white side, blackside, white side, making sure that he went directly to the opposing players side… that is somewhat a feat of linking information together in the physical world.
i ask you to read up on josh waizkin: the art of learning(interesting read, very cool). since you are so much into chess i guess you know of this once upon a time child prodigy chessplayer… (the thing that interests me here is his first childhoodmemories of the very first games of chess that he saw being played out in the park)…
i think that perspective of his of how his world suddenly opened up to that game… i would say it almost looked like his first impression of the game was that of encoding what he saw as pieces of childsplay… it was something that
reminded him of something form somewhere else… faerietales are full striking images, childsplay are full of striking images for the child…
a striking imaginery is something that passes very easily into the unconscious mind…
and when you retell those imagines, those narratives, they each time may offer new perspectives…
i think that striking images is the way of seeing chess, basic chess formations…
i do agree with you that chess is a long term project, but i do think that those that have a love of that game, maybe do have a striking imaginery of what goes on within that game, that makes them endure the deeper mysteries of that game…
so, let us not choke this train of thought just yet…