Eclipsing the Shadow System, or, "Iambs Get All the Glory"

Tyger Tyger, burning bright,
In the forests of the night;
What immortal hand or eye,
Could frame thy fearful symmetry?

-William Blake

Today, we’ll consign the Shadow System to oblivion by rendering it irrelevant. I feel some regret about its wide influence, and I sincerely apologize for not writing this method up sooner. It is the major system optimized for reading speed, phonetic naturalness, ease of image-list construction, and fluency of subvocalization. As it stands, the major system maps on to just about every word under the sun (except for most of the words we should want to use).

TrocheeSystem

Blake’s poem above is written in trochaic meter. A “trochee” is a stressed syllable followed by an unstressed one. Read the poem above and imagine that this is the cadence and flow that you memorize with. That is our aim. In the end, most of our images will be represented by words that are either trochaic or monosyllabic. Over and above the 1000 images used for memorizing digits, all of our images will be represented by words that are either trochaic or monosyllabic.

A little over a year ago, Bjoern Gumboldt created a thread about a “one-card Shadow System” - a lovely idea of dubious practicality that might’ve served as a kind of “test run” to see whether memorizing images with variable loci was something one wanted to pursue. This time around, I think we can get a lot of mileage out of this approach that wouldn’t have been possible with the Shadow System. So, I’m going to recommend building out the system in a way that enables us to scaffold on his idea and benefit from the 2-card system more and more as we hit key benchmarks along the way.

You will start by learning 52 images, which you use to memorize cards using all of the Trochee System phonetics that are applicable at that point. 48 of those images will be used for memorizing 2-digit numbers, with the other 4 being repurposed further down the line.

Then, you will fill out and learn the remaining 52 images necessary for you to begin memorizing numbers as 2-digit images.

At this point, you will be poised to gain the first small benefits from the 2-card system. I’m going to explain the mechanics of the 2-card system in full first, and after that, I’ll describe the fine points of building out your image list down this path.

This is the Major System, which maps consonants or consonant-clusters to digits:
0-S/Z
1-T/D
2-N
3-M
4-R
5-L
6-SH/CH/J
7-K/G
8-F/V
9-P/B

Cards

To memorize cards, the major system is mapped onto:
-suits/suit-pairs,
-numerical indices (“digits”)
-face-card indices (“faces”).

In this post, I am assuming the following mappings. You can rearrange them arbitrarily, but I highly recommend retaining these correspondences between single suits and suit-pairs. If what I just said confuses you, then just don’t change anything.

(for the 52-image arrangement)
:spades: - S/Z (corresponds to :spades::spades: & :heart::heart:)
:clubs: - K/G (corresponds to :clubs::clubs: & :diamonds::diamonds:)
:heart: - T/D (corresponds to :heart::diamonds: & :spades::clubs:)
:diamonds: - N (corresponds to :diamonds::heart: & :clubs::spades:)

(for all other arrangements)
:spades::spades: - S/Z
:heart::heart: - S/Z
:spades::heart: - SH/CH/J
:heart::spades: - SH/CH/J
:clubs::clubs: - K,G
:diamonds::diamonds: - K,G
:clubs::diamonds: - M
:diamonds::clubs: - M
:clubs::heart: - F/V
:heart::clubs: - F/V
:spades::diamonds: - P/B
:diamonds::spades:- P/B
:spades::clubs: - T/D
:heart::diamonds:- T/D
:clubs::spades: - N
:diamonds::heart: - N

The Rules of Reading Card Pairs in Order

1)If both cards are digits, the suit pair is read last.
2)Otherwise, the suit pair is read first.
3)Faces are read last.

Face Card Phonetics

When in the left position:
Jack = “A”*
Queen = “O”*
King = “E”

When in the right position:
Jack = “R”*
Queen = “L”*
King = [silent]

*Users of the Shadow System who would like to transition may prefer to swap the Jack and Queen assignments to keep the “R” mapping for Queens. If you’d like to do this, Swap the Jack and Queen assignments (A/O) in the left position as well in order to preserve internal logic.

Suit-pair Phonetics

Excluding “L” and “R,” each of the major system’s eight remaining consonants (or consonant-groups) is mapped to a black-first suit pair of your choice. As is custom for 2-block systems, each of these will share an identical image with its corresponding red-first pair.

Putting this all together, four entirely new sets emerge: three trochaic, and one monosyllabic. The three trochaic sets are from every face/digit card pair, and the monosyllabic set is from the face/face pairs. The difficulty of filling out these four sets ranges from “easy” to “automatic.” When filling out these sets, you should be able to mentally cycle through every possible phoneme combination that each pair maps onto if you’re already fluent with the major system. I recommend doing this even when you are not stuck, because there are often so many options that the first suitable word which comes to mind will not be the word you opt for in light of the other options. Let’s look at a few examples from each set, starting with the monosyllabic one:

A subtlety

When the suit-pair is the first element of the card pair to be read – which is only the case with face/face combinations – it should be read consistently as the “hard” consonant that is optional in the major system:
-only “S”
-only “T”
-only “Sh”
-only “K”
-only “F”
-only “P”

*For “N” and “M,” no alternative option is available.

Once you have completed the list of 100 images for memorizing 2-digit objects, you may (should!) begin to memorize cards using variable loci, according to Bjoern’s description. This will be your transition into the first of the four phases of the “Hybrid Trochee System.”

Since the words for the monosyllabic face/face set are “forced” by the logic of the system, you may (should!) incorporate this first set of 2-card images into your memorization as soon as you have become comfortable reading the 8 suit-pairs. You’ll not only knock out two cards at once by memorizing just one image, but you’ll learn to use these 72 images well in a fraction of the time it took you to learn your first 52. There are other advantages as well, which I’ll get into later. Once you have incorporated these 72 images, you will be in the second of the four Hybrid Trochee phases. Here are the words for that set:

Pictured above, in order:

Keel
Kneel
Meal
Peel
Teal
Seal
Feel
Sheol
(repeat)

Pictured above, in order:

Coal
Knoll
Mole
Pole
Toll
Soul
Foal
Shoal
(repeat)

Pictured above, in order:

Kale
Nail
Mail
Pail
Tail
Sail
Fail
Shale
(repeat)

Pictured above, in order:

Core
Nor
Moor
Pour
Tore
Soar
Four
Shore

Care
Nair
Mare
Pear
Tear
Sare
Fair
Share

Keyer
Near
Meer
Pier
Tear
Seer
Fear
Sheer

Key
Knee
Me
Pee
Tea
Sea
Fee
Xi (or She)

Ko – “child”; Japanese
Know
Mow
Poe
Toe
Sew
Foe
Show

Kay
Neigh
May
Pay
Tay
Say
Faye
Shay

Got it? Alright. Now, let’s look at some samples from each of the three trochaic sets. Note how unlike the Kings’ “E” and the Queens’ “O,” the Jacks’ “A” takes on the different, natural pronunciation of words ending in “-a.” Once you have incorporated the following three sets, comprising 240 images, you will be using Phase III.

Trochaic Kings


optional words (in order):
Gummy
Nummy
Mummy
Pammy
Dummy
Zoomy
Fumey
Shimmy


optional words (in order):
Cocoa
Niko
Mako
Pogo
Taco
Psycho
Falco
Jack-o

*See subheading: “Phonetic Borrowing”


optional words (in order):
Koba
Napaf
'Moeba
Boba
Tuba
Sai Ba
Fibba*
Shiba

*See subheading: “Phonetic Borrowing”

I may not be back to finish the post this weekend, but hopefully this edit clarifies the overall purpose and shows where we are headed more clearly. I’ll be back before long to describe the initial 52-image system more explicitly as well as the rules for digits, and the fourth and final phase of the “Hybrid Trochee System” that precedes the final product.

Leave a comment if I accidentally made some mistake above or left something unclear.

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Can’t wait to dig into this post and see if I want to make the jump. Thanks for sharing this, Lance!

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I’m sorry that I did not get this to you sooner, Tim.

3 Likes

No worries!

It looks like these are restricted to the long vowel sounds? (E, like in “See”, A, like in “May”, O, like in “So”?) Is this just so that there is only one way to read the pair? Or do the other vowel sounds (Ah, Eh, etc…) need to be reserved for use in other pair structures?

Is there any reason why I couldn’t use “R” for the Queen sound instead of the Jack? Asking because as someone who is pretty reflexive reading Shadow phonetics, I’m used to the Queen mapping to “R.”

Also, do these two Picture Cards have to be assigned “L” and “R”? Could I make the Jack “F” to again retain some of the reflexive reading that has developed working with Shadow?

I see that the R and L aren’t assigned as sounds for suit combos, I suppose this is why they are used for the Jack and Queen? If I were to make Jack “F,” I assume I’d need to remove the “F/V” assignment from the suit combo so that they are each distinct. If that’s the case, could I use the now unassigned “L” for a suit pair sound instead of “F/V”? This could allow me to retain all of the suit-pair phonetics I’m fluent with for Shadow and I wouldn’t have to overwrite the suit pair that I know as “L” with the “F/V” sound.


Would the system still work if it was assigned like this?:

Tim's Personalized Assignments
PICTURE CARD 1ST POSITION Phonetic
Jack A
Queen O
King E

PICTURE CARD 2ND POSITION Phonetic
Jack F
Queen R
King [silent]

Primary Suit-Pair Alternate Suit-Pair Suit-Pair Phonetic
:spades: :spades: :hearts: :hearts: S/Z
:spades: :hearts: :hearts: :spades: T/D
:spades: :clubs: :hearts: :diamonds: J/SH/CH
:spades: :diamonds: :diamonds: :spades: M
:clubs: :spades: :diamonds: :hearts: N
:clubs: :hearts: :hearts: :clubs: L
:clubs: :clubs: :diamonds: :diamonds: K/G
:clubs: :diamonds: :diamonds: :clubs: P/B

I’m probably getting way ahead of myself since I haven’t seen the other phonetic structures but these were the first questions to spring to mind. Just getting excited to unlock this new approach!


P.S. do you have a name for this system yet? If not, may I recommend “The Eclipse System”? It works on many levels!

2 Likes

EDIT: I had initially posted a sortable grid for the first Picture/Picture phonetics in this post. As more info got added and clarified by Lance, some of these were incorrect or incomplete. I’ve deleted them so as not to cause confusion. Once the entire system is laid out and there has been time to process it all, I’ll try to share my grid and excel doc with all of the card combos / phonetics / equivilent number assignements ect. Until then, I’ll be tracking it offline.

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Why not use the shadow system? How is this system better than it? I’ve already mastered the shadow system so is it worth it to go with this one instead?

Also, I assume this method is only for the face cards? The 000-999 remains the same?

Based on Lance’s introduction I anticipate that when looked at from the point of view of someone who doesnt know a 2-card system, this will be superior to Shadow in its structural simplicity.

For those of us who are pretty fluent with Shadow already but aren’t vying for top 10 world rankings… It remains to be seen if it would be “worth it” to start over with this.

I’d think that for the very elite athletes, if this system is even 0.1 second more efficient per pair than their current 2-card systems, that translates to a 2.6 second improvement. For someone living in the 15 second per deck range, that is almost a 20% time improvement and could be the difference between championship or world record worthy times or not.

I think we’re in for a few surprises here too…

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Like what? Where can I read more about this?

Which number would 6 of spades and 8 of diamonds be? I want to get to know the thought process

He’s still got more details to share. Patience!

“My personal measure of success in all of this will be the degree to which those who have found the other large systems to be too daunting will choose to adopt this method”

Which larger systems are you referring to?

Also Are there like a group of you guys who come up with new systems together? Cause I’ve been doing the same on my own for quite a while, and I’d like to get to know other system creators better and potentially share ideas/build stuff together with them :slight_smile:

Actually that reminds me of maybe making a post on here about some Ideas that I’ve had recently

Are you come back?

Patience

iʼd happy for that

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But I saw that only ten hours ago, you created a thread asking whether the number-shape system might be the best for eliminating or reducing subvocalization. The answer is, “No, this is.”

But there’s more to explain.

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I ought to have made sure that these assignments were aligned with those in the SS post. The truth is that when I wrote that up, I assigned all but S/K/F/R randomly, since it is entirely arbitrary, which ended in a different assignment scheme than the one I actually use. As I do today’s edits of this thread I’ll make sure to align it with the SS post as much as is possible, which would probably be best since that post had been read many times, including using the Queen as an “R” when in the right position (and, therefore, as an “A” when in the left position).

As far as using the “F” instead of an “L” for the Jack, you can see from what I’ve posted already that that is not going to work well. And, I’m (honestly) sorry to say, relearning the consonant-mapping for that one card would not be the most significant hurdle to transition.

Regarding the name, I think I should go with something more thematically descriptive (and in this case, less pretty).

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I like Queen as O, a Q is round like an O… The A is the only vowel in “jAck” so that makes sense too… Could the vowel assignments stay?

All good! Going forward, I can sidebar specific questions like that in a private message if you prefer so as not to muddy up the thread.